About me
I am an instrument maker, researcher, and sound artist. At the heart of my work is a single mission: to explore the therapeutic power of sound through technology and design, creating pathways into music for those who might otherwise be excluded.
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My journey began in music. As a percussionist and composer trained at the University of Hong Kong and the Chinese University of Hong Kong, I was fascinated by the infinite possibilities of sound and rhythm. Yet, I grew increasingly aware that for many, the physical demands of traditional instruments presented an insurmountable barrier.
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This realisation set me on a new path. I moved to London to pursue an MA in Computational Arts at Goldsmiths, determined to find new connections between music, technology, and people. It was there I began exploring how physical computing could shape entirely new musical experiences. My dissertation focused on the themes of 'control' and 'surrender', concepts that would later become the bedrock of my work in creating instruments for mindful practice.
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The development of early projects, like my interactive instrument 'GripBeat', was a pivotal moment. It showed me first-hand how technology could transcend physical limitations to create more inclusive forms of musical expression. The project's acceptance into the King's College London Venture Accelerator solidified my focus: designing musical instruments for people with complex disabilities and for individuals seeking tools for mindfulness.
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Over the years, I've had the privilege of collaborating with brilliant artists and institutions, including the Hong Kong Philharmonic Orchestra and the acclaimed cellist Trey Lee. My work on an interactive visualisation system with Politecnico di Milano and various roles in stage and visual design have all enriched my understanding of user experience, a perspective that is now integral to my instrument creation process.
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Today, my practice is dedicated to the research and development of inclusive instruments. I believe a well-designed instrument is more than a tool for producing sound; it is an extension of its user, a bridge to inner calm, and a language that can transcend conventional communication.
